Generations, Music, TV

MTV turns 40!

On August 1, 2021, MTV turns forty years old. Yes, MTV is middle-aged. Many of you are probably thinking how can MTV be 40 years old since 1995 was only fifteen years ago :). Well, 1995 was 26 years ago and we are just going to have to accept the fact that MTV is really 40 years old.

MTV debuted in 1981 when cable was only in twenty-five percent of American homes. The staff of MTV had to go to a bar in Fort Lee, New Jersey to see the channel make its debut because it was not on the cable system in New York City. Seven months later on March 1, 1982, the “I Want My MTV” ad campaign started, and soon after, it was the hottest channel on the cable lineup.

The channel introduced America to artists and music it might not have ever heard of had it not been for the network. In the early days of Music Television, they kicked off the second British invasion featuring acts like Duran Duran, Culture Club, Human Leauge, and so many more. In fact, by 1983, thirty percent of record sales in America were from British acts. This was due in a large part to MTV.

New wave and power pop also ruled the playlist in the early years and were followed by glam rock and dance music. A few years later, metal would rule on late-night Saturdays with Headbanger’s Ball. Alternative rock, which was known as college rock back in the eighties, had its own show on Sunday nights with 120 minutes and Yo MTV Raps brought rap to the mainstream. After MTV aired Live Aid in 1985, the power of MTV could not be ignored. It was not a fad and was here to stay. Our news was The Week in Rock.

We had our own game show with Remote Control. The New Year’s Eve specials were to us what Dick Clark’s Rockin’ New Year’s Eve was to the teens of the seventies. Come spring break, we all watched people party down in Daytona Beach. The MTV Awards was by far the best awards show on the tube. The Real World was not the first reality show, but it is the show that kicked off the reality show craze.

In the early nineties, it was our time to make the music. Grunge came along and turned the rock world upside down. Gangsta rap took the genre to a new level and hip hop exploded on the scene and never left.

In the late nineties, a multitude of young female pop stars, boy bands, and nu-metal took over. It was clear then that another generation had come of age. After that was all over with, the network found its new love: Reality Shows. We then found a new home with VH1. Sadly they have lost their way as well with an overload of reality shows. If you are lucky, your cable provider or streaming service has MTV classics. 

What MTV is now is not worth talking about. It’s not ours and will never again be ours. The real Music Television belongs to us. It was our voice to the world.  A world where the boomers were still hanging on to relevancy and always trying to take our thunder away.

Thankfully the home VCR came along in the eighties and plenty of folks recorded MTV. Now we can view footage from the old days on YouTube. We can watch us in our heyday like no other generation before could. Other generations have their networks but nothing will ever compare to our MTV.


#1 hits of 1981

Our parents and grandparents thought the music of their generation was better than ours. We feel the same way about our music compared to what’s out there today. Your kids, or grandkids for some of you, will disagree with you about who had the better music. That’s only natural, but if you do get into that argument with them, here’s some proof that they are the ones that are wrong!

Let’s go back 40 years ago to 1981. Check out this list of #1 top 40 hits. Everything is a classic hit! We win!

John Lennon – (Just Like) Starting Over

Blondie – The Tide Is High

Kool & the Gang – Celebration

Dolly Parton – 9 to 5

Eddie Rabbitt – I Love a Rainy Night

REO Speedwagon – Keep On Loving You

Blondie – Rapture

Daryl Hall and John Oates – Kiss on My List

Sheena Easton – Morning Train (Nine to Five)

Kim Carnes – Bette Davis Eyes

Stars on 45 – Medley: Intro Venus / Sugar Sugar / No Reply / I’ll Be Back / Drive My Car / Do You Want to Know a Secret / We Can Work It Out / I Should Have Known Better / Nowhere Man / You’re Going to Lose That Girl / Stars on 45

Air Supply – The One That You Love

Rick Springfield – Jessie’s Girl

Diana Ross and Lionel Richie – Endless Love

Christopher Cross – Arthur’s Theme (Best That You Can Do)

Daryl Hall and John Oates – Private Eyes

Olivia Newton-John – Physical


Parade turns 35!

Parade by Prince and the Revolution was released on March 31, 1986. It was the eighth album from Prince and the third and last album where he shared billing with The Revolution. The record went platinum and went to #3 on the album charts.

While it may have sold a good deal less than his last several albums, it did contain one of his biggest hits. Kiss was a smash hit that went to #1 and the accompanying music video became an instant MTV classic. If you are a serious fan, where does this album fall on your best to worst list from Prince?

Generations, Music

Nevermind by Nirvana hits #1.

In September of 1991, Nirvana released their second album, Nevermind. The album went #1 in January of 1992 and hit the top spot again in February. It would go on to sell over thirty million copies.

The album was not just another hit record. Fueled by the success of its lead single, Smells Like Teen Spirit, the album changed the rock music landscape as nothing else had since the debut of the Beatles in 1964.

Before the release of Nevermind, rock was ruled by the hair/glam/pop-metal bands. Guns N Roses had somewhat changed the scene when they hit big in 1987 with their tattoos and the punk undertones sprinkled in their hard rock. It was Nevermind that created the 360-degree turn in the genre that would define rock for the rest of the nineties.

Seattle replaced the Sunset Strip as rock’s home base. Alternative rock stations popped up everywhere. Grunge and music that was mostly played on college rock stations were now mainstream. Flannel was everywhere!

While hair, glam, or whatever you want to call it, was the primary sound of rock for much of our teenage years, it was, for the most part, made by people who were in high school in the seventies. Nirvana and the other artist and bands that broke through with the alternative explosion were mostly Gen Xers.

Some of us did not buy into the new sound. Some of us wanted to keep the big hair and flashy guitar solos. Even if you were not down with the change, there is no way you can deny the influence of Nevermind on our generation and the music world.

Generations, TV

R.I.P. Dawn Wells

2020 has been a cruel year and it’s not letting up as it prepares to say goodbye. On December 30th Dawn Wells passed away due to Covid 19. She was 82.

She was famous for her iconic role of Kansas farm girl Mary Ann Summers, one of the seven castaways on Gilligan’s Island. The show aired from 1964 to 1967. Before she got shipwrecked on the island, Wells appeared on some of the biggest shows of the early sixties such as Maverick, Wagon Train, 77 Sunset Strip, Hawaiian Eye, and many more. In 1960, she represented her home state of Nevada in the Miss America Pageant.

So why are we talking about a star of a boomer era show on a blog devoted to Gen X media? Yes, the show premiered in 1964 on CBS, but it is just as important to our era as it was to the boomers. After the show was canceled in 1967, it went into syndication and started to appear on local stations all around the country. Many of these stations aired the program in the afternoon after kids got home from school.

The reruns were so popular with kids, ABC aired an animated remake of the show called The New Adventures of Gilligan from 1974 to 1977 on Saturday mornings. NBC went even further and reunited the cast (minus Tina Louise as Ginger) in 1978 and aired the two-part made for tv movie, Rescue from Gilligan’s Island. The castaways get rescued only to be stranded on the island again at the end of the film. This got huge ratings which of course lead to another tv movie the following year, The Castaways of Gilligan’s Island. In this one, the castaways are rescued again and Mr. Howell turns the Island into a tropical resort. In the eighties, there was one more tv movie, The Harlem Globetrotters on Gilligan’s Island, and another cartoon, this time on CBS. Gilligan’s Planet had the castaways build a spaceship on the Island which took them to another planet where they got stranded. Wells did the voice of both Mary Ann and Ginger.

The show was always appearing somewhere on cable. From the seventies to the early 2000’s the program aired on TBS. In 2004, TBS aired a reality show called The Real Gilligan’s Island that aired for two seasons. In the last two decades, the program spent time on Nick at Night, TV Land, and the Hallmark Channel. The nostalgia network, MeTV currently airs the program on their over-the-air digital affiliates around the country. 

So you see the show has never really left the airwaves. It was Gen X that discovered the reruns in the seventies and kept the legacy going for all these years. It is part of our media history just as much as it is for the Boomers and Generation Jones.

Dawn Wells was perfect as the young wholesome midwest girl from Winfield, Kansas who won a three-hour tour on the S.S. Minnow. Ask the average Gen X guy to name his celebrity crushes from his youth and more than likely the name Mary Ann will be included in that list. It has been reported that Wells beat out over 350 other young ladies for the role of Mary Ann including future movie star Raquel Welch and Pat Priest, who went on to play Marilyn on The Munsters.

We end this post by asking one of the most enduring questions of pop culture: Ginger or Mary Ann?

Film, Generations, Music, TV

Gen X Christmas 2020

From now until the 25th, every day we will celebrate Gen X Christmas on all of our social media sites. We will look back at the Christmas related music videos, films, TV episodes, and specials from our youth. There will also be some holiday blogs coming out on this site as well.

Does your family have a special film that you always watched during the holiday season? Do you have a favorite Christmas episode? Is there a favorite album of yours from the Gen X era that is now a Christmas staple in your household?

Let’s kick this off with the 1987 rap classic, Christmas In Hollis by Run DMC. Merry Christmas and Happy Holidays.


WKRP in Cincinnati: “Turkeys Away”

Happy Thanksgiving. We hope you all had a great day despite everything that is going on. When it comes to Thanksgiving-themed TV episodes, there is one that stands out from all the rest. That episode is Turkeys Away from the first season of WKRP in Cincinnati in 1978.

WKRP General Manager, Arthur “Big Guy” Carlson, decides to do a Thanksgiving promotion that involves dropping 40 live turkeys from a helicopter over a shopping center. As you can imagine, it doesn’t go well and it is being covered live on the air by reporter Les Nessman. At the end of the show, Mr. Carlson covered in feathers says “As God as my witness, I thought turkeys could fly.” That may be the best remembered line from the entire show’s history.

The episode was inspired by a real-life event. Show creator Hugh Wilson was working at a top 40 radio station in Atlanta when he was told about a similar promotion that involved throwing live turkeys out of the back of a pickup truck. That proved messy as well!

Film, Generations

31 days of Gen X horror 2020 wrap up

Thanks to everyone who took part in our month-long salute to horror of the Gen X era. We will be back next year with an even bigger #31daysofgenxhorror.

When it comes to scary movies, the Gen X era is as important as the Universal horror movies of the 1930s. The biggest names in horror: Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde, the Wolfman, and The Mummy were all introduced to the mainstream audience on a grand scale via those classic movies from Universal.

They stayed the dominant stars of horror until the Gen X era came around and new folks joined the group. Michael Myers, Jason Vorhees, and Freddie Kruger are A-listers when it comes to movie monsters. The era also produced Pinhead, Chucky, and Candyman.

The creatures of the thirties lived on in the monster mashup movies of the forties and remade in the fifties and sixties with a British twist in the Hammer horror films. Our generation’s monsters were in sequels well into the nineties and early 2000s. They also rose again in remakes and reboots.

The classic monsters never really went away, as movies are still being made about them and neither will the ones of our generation. The makeup and special effects will just keep getting better. Nothing will be able to kill them off, not silver bullets or a stake in the heart!

Generations, Music

Eddie Van Halen

The world lost Eddie Van Halen this week. Generation X lost one of the main creators of its soundtrack. The guitar hero passed away on Tuesday at the age of 65 to what his son Wolfgang called “his long and arduous battle with cancer”

First wave Gen X rock fans first learned about Eddie via the release of Van Halen’s first album in 1978. The record introduced the world to his amazing guitar playing and his signature and often imitated two-handed tapping technique. The self-titled album which still sounds fresh and un-dated went on to sell 10 million copies and kicked off an almost two-decade run of platinum recordings.

The band quickly became the hottest new band in rock and was soon headlining their own tours. Eddie became well known to people outside of the rock world by way of his marriage to TV star and America’s sweetheart, Valerie Bertinelli. Mainstream superstardom came to the band with the release of 1982’s Diver Down which contained the hit cover of Roy Orbison’s Oh Pretty Woman.

By this time the band was America’s top rock act. They headlined the US Festival in 1983 and received over a million dollars for the performance. The band was our generation’s Led Zepplin. Eddie was our Jimi Hendrix. He also played the guitar solo on Beat It from the biggest selling album of the time, Michael Jackson’s Thriller.

Soon a slew of bands hit the airwaves that all sounded somewhat similar to Van Halen. Most of these bands had guitar players who performed the tapping technique. Eddie’s red, white and black striped guitar called the Frankenstrat was the most recognized musical instrument of our generation. When Eddie started playing a Kramer guitar, other rock stars followed his lead. In fact, Kramer became the #1 guitar manufacturer for a time in the eighties.

The band’s stardom went to another level with the release of 1984 which featured the #1 classic Jump. When David Lee Roth left the band in 1985 and Sammy Hagar took over lead vocals, the band continued right along with hit after hit. The streak lasted almost two decades with the last top forty hit coming in 1995 with I Can’t Stop Loving you. The band created hits for the entire Gen X era of the late seventies to the mid-nineties.

Eddie Van Halen was not a member of Generation X. He was born in 1955, so that would make him a late boomer or an early member of Generation Jones, however you wish to label it. Although not one of our generational tribe, he never the less made a huge impact on us. When the news of his death broke, so many people, especially Xers took to social media to share their grief and shock of his untimely death. Many wrote about how he was a part of their childhood and teen years.

He had a huge musical influence on our generation. The tone of his guitar was one of the defining sounds of our generation. He was the gold standard of playing guitar in our era and to many, he still is. His sound was timeless but it also represented our era and the two scenes in Back to the Future that features the sound and style of his playing solidifies that point.

The music made by Edward Lodewijk Van Halen will live forever on classic rock radio, YouTube, and by tribute bands playing bars and festivals all over the world. It will also live forever when a kid picks up a guitar and attempts to learn a riff from Unchained or Ain’t Talkin’ bout Love.

Thank you Eddie for the great music, the memories and for being part of the soundtrack of our lives.

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